- 正在播放《镜子的另一面：纽波特民歌艺术节1963~1965》正片 - 新浪资源2
- 提醒不要轻易相信视频中的任何广告，谨防上当受骗
- 技巧如遇视频无法播放或加载速度慢，可尝试切换播放节点或者切换解析
- 收藏免费短视频分享大全 - 大中国网址：www.test.cn / www.test.cn ,记得收藏哟～
剧情：
"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
收起
【正片】
不定时更新如有问题请加微信：yyxz78
不定时更新如有问题请加微信：yyxz78
if (strstr($obj['vod_play_list'][$param['sid']]['urls'][$param['nid']]['url'],$vo2)==true){
【正片】
不定时更新如有问题请加微信：yyxz78
不定时更新如有问题请加微信：yyxz78
if (strstr($obj['vod_play_list'][$param['sid']]['urls'][$param['nid']]['url'],$vo2)==true){
【正片】
不定时更新如有问题请加微信：yyxz78
不定时更新如有问题请加微信：yyxz78
if (strstr($obj['vod_play_list'][$param['sid']]['urls'][$param['nid']]['url'],$vo2)==true){
相关影片
第5集
2026
剧集
大陆
更新至第18集
2027
剧集
中国大陆
第14集
2026
剧集
中国大陆
第11集
2026
剧集
韩国
第6集
2026
剧集
日本
第11集
2026
剧集
日本
见上爱 上坂树里 水野美纪 早坂美海 小林隆 小林虎之介 津崎史郎 岩瀬顕子 三浦贵大 根岸季衣 大岛美幸 义达祐未 たくや 原田泰造 北村一辉 佐野晶哉 藤原季节 林裕太 坂东弥十郎 内田慈 小倉史也 片冈鹤太郎 松金米子 广冈由里子 春海四方 多部未华子 高岛政宏 二田絢乃 中田青渚 井上向日葵 丸山礼 研直子 生田绘梨花 菊池亚希子 中井友望 木越明 原嶋凛 玄理 伊势志摩 古川雄大 坂口涼太郎 平野生成 森田甘路 猫背椿 饭尾和树 若林时英
本剧以田中光著作《明治的南丁格尔 大关和物语》为原案，取材自日本首位专业女护士大关和与铃木雅的真实经历，描绘了她们推动护士注册制度、设立派出看护妇会协助防疫的历程。
第74集
2026
剧集
中国大陆
第24集
2026
剧集
中国大陆
第9集
2026
剧集
美国
这部剧集改编自劳拉·英戈尔斯·怀尔德经典半自传体作品《Little House》系列，融合了温情家庭剧、史诗般的生存故事和美国西部起源传奇，以多角度展现了塑造边疆拓荒者们的奋斗与荣耀。
第8集完结
2026
剧集
中国大陆
第06集
2026
剧集
中国大陆
第14集
2026
剧集
泰国
Peeraka 是一名前途光明的医学实习生，当他沦为杀害母亲与妹妹的头号嫌疑人时，瞬间坠入噩梦深渊。女友 Mesa 离他而去，Peeraka 在试图逃避逮捕时悲惨离世。
六年后，Mesa 已是一名
第18集
2026
剧集
美国
第1集
2026
剧集
日本
故事舞台设定在日本屈指可数的顶级豪华医院“圣菲奥娜医院”。少子化、医生短缺、地方产科接连关闭……在令和时代的当下，守护母婴生命的“分娩现场”正面临前所未有的危机。在此背景下，位于东京市中心繁华地段的一
第1集
正在热播
更多
2024
剧集
大陆
独家推荐
已完结
2024
剧集
大陆
独家推荐
已完结
2024
剧集
大陆
独家推荐
已完结+番外篇
